
Eye Sea All I
Acrylic, epoxy resin, 23.75k gold leaf, mesh, turned spheres on prepared Belgian linen
24 × 24 × 14 in · 61 × 61 × 35.6 cm
Hamptons Fine Art Fair · July 9-12, 2026
6 public works · Shown at HFAF 2026 · CONTEXT anchors · All 14 works →

Acrylic, epoxy resin, 23.75k gold leaf, mesh, turned spheres on prepared Belgian linen
24 × 24 × 14 in · 61 × 61 × 35.6 cm

Acrylic, epoxy resin, 23.75k gold leaf, radiation thermoplastic mesh, hand-stitched thread on prepared Belgian linen
24 × 24 in · 61 × 61 cm

Acrylic, epoxy resin, 23.75k gold leaf on prepared Belgian linen
36 × 48 × 1.375 in · 91.4 × 121.9 × 3.5 cm

Acrylic, epoxy resin, 23.75k gold leaf on prepared Belgian linen
16 × 20 in · 40.6 × 50.8 cm

Sculpted head (epoxy + resin), cobalt/ultramarine paint, 23.75k gold leaf and filament, hand-stitched thread, cerulean polymer spheres, two larimar cabochons (certified Sierra de Bahoruco, Dominican Republic) embedded in epoxy resin, clinical radiation thermoplastic mesh, clay impression of the artist's daughter's footprints on prepared Belgian linen
Dimensions in progress · available on request

Polymer, 24k gold leaf on canvas
122 × 122 cm
Living Systems · Self-Portrait subserie
Acrylic, epoxy resin, 23.75k gold leaf, mesh, turned spheres on prepared Belgian linen
VZ-LS-2026-J02 · Available · Shown at HFAF 2026 · Contact for pricing
24 × 24 × 14 in · 61 × 61 × 35.6 cm
A matriarch is a position in a system · not a particular set of features.
Eye Sea All I is faceless self-portrait. A 14-inch encaustic dome emerges from the linen as collective eye · "I see all · we all see." The body becomes optical device. The face is absent but the gaze multiplies · spheres as eyes scattered across the field, resin as eye moisture, gold at the edge as threshold between who looks and who is looked at.Eye Sea All I by Victoria Zeder · canonical 2026 documentation image
Viewing angle
01 / 20Documents
Public-facing materials are downloadable here. The private dossier, acquisition terms, and price-bearing edition are available by studio request.
Institutional portfolio
The collector-facing overview for Living Systems, built for curators, advisors, and press.
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Statement · English
Victoria's 2026 statement on Living Systems, inheritance, material memory, and the body as system.
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Statement · Spanish
La declaración en español para materiales bilingües, prensa, feria y comunicación institucional.
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Professional record
A concise gallerist CV with practice pillars, exhibitions, representation, and selected context.
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Four discourses
The critical framework for Living Systems: cognition, matriarchy, medical humanities, and post-human identity.
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Long essay
The four-part essay expanding the museum argument behind Living Systems and the Origin works.
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